Shigeko Hirakawa
   Nature 4 - Appropriation
 
Tree Wedged 2000
250cm high
wood
Gallery Pascal Vanhoecke
Cachan and Paris

 
     

Wedged Wood 2000
220 - 250cm high
salvaged wood, oak tree, sipo
beeswax

Immersed Roots 1999-2000
(on the wall)
flame: 40 x 50cm
roots, beeswax,
partial view of th solo show in 2000
Gallery Pascal Vanhoecke,
Cachan city, France
     
In December 1999, violent storms raged throughout France and we saw thousands of trees knocked down by the sheer force of the winds. Immediate action was taken to clean up the mess, evaluate the cost of the wood lost and put in place a reforesting scheme which will last for several years to come. Whether for ecological or economical reasons, it is obviously for the benefit of man that we take such care with nature. While unable to master it, we build around us a nature which is more or less submissive to the human order. Finally, man and nature stand side by side under the control of society. Man sees himself by looking at artificial nature; he acts on himself as on nature; he constructs himself in the unique goal of serving society.
In this exhibition, I'd like to talk about this subject in gathering pieces of the nature, like tree-trunks. In the room, they are straightened up again after the storms, though they are cut from their roots by a plateau, without neither branches nor leaves. They are just put up, like human beings adapted to the society.

(From the text by
Shigeko Hirakawa of May 28 2000, on the occasion of her solo show at the Gallery Pascal Vanhoecke in Paris and Cachan city in France)
     
Racine 2001
205cm high
root, wood
exhibited in
Maison des Arts de Malakoff
2001
 
     
Racine 2001
170cm high x 80 x 120cm
roots, wood, pine tree, oak
Maison des Arts de Malakoff
2001